illustrator + designer

analog

assorted works created with physical materials

Bellona, 2021. Ink, watercolor, and gouache on paper.

"neo nio 1"
"neo nio 1"
"music boy"
"music boy"
"cat gamer"
"cat gamer"
"e-child"
"e-child"
"neo nio 2"
"neo nio 2"
Blank Crown series, 2020. Visual Feature developed and executed for the Tabula Rasa Record Company, focusing on the problems highlighted by pandemic and quarantine. Exhibited in the digital Blank Slate Gallery. Ink, watercolor, and gouache on paper.
"The Bosch" (closed)
"The Bosch" (closed)
"The Bosch" (open)
"The Bosch" (open)
"The Triumvirate" (closed)
"The Triumvirate" (closed)
"The Triumvirate" (open)
"The Triumvirate" (open)
"The Pentacle" (closed)
"The Pentacle" (closed)
"The Pentacle" (open)
"The Pentacle" (open)
"The Scroll" (closed)
"The Scroll" (closed)
"The Scroll" (open)
"The Scroll" (open)
"The Devout" (closed)
"The Devout" (closed)
"The Devout" (open)
"The Devout" (open)
"The Diamond Path or the Diamond Thunderbolt" (closed)
"The Diamond Path or the Diamond Thunderbolt" (closed)
"The Diamond Path or the Diamond Thunderbolt" (open)
"The Diamond Path or the Diamond Thunderbolt" (open)
Carry Your Gods With You, 2019. Six pocket-sized portable folding altarpieces, dedicated to various figures. Watercolor and gouache on paper mounted on wood panel, finished with casein and acrylic.
"Horsemen"
"Horsemen"
"Serpent"
"Serpent"
"Demon"
"Demon"
"Modern Offerings"
"Modern Offerings"
"Stigmata"
"Stigmata"
"The Death of the Machine God"
"The Death of the Machine God"
"Delphi"
"Delphi"
"Yggdrasill"
"Yggdrasill"
"Sheol, or in the land or Nergal"
"Sheol, or in the land or Nergal"
Apocalypse Late + Honorifics + Strange Places, 2019. A cumulative, multi-part series created for my final year at CSU Northridge. Apocalypse Late: A series exploring apocalyptic figures becoming obsolete and replaced. Honorifics: Series of paintings examining the appearance of ritual in contemporary spaces. Strange Places: Illustration series contextualizing places of myth in modern settings. Ink, watercolor, and gouache on paper.

KFC Poster, 2019. Ink, pencil, and gesso on digital print. When I was in grade school we had a field trip to a local Kentucky Fried Chicken restaurant. Recorded here is the shocking true story.  Exhibited in the Shed Gallery at CSUN, companion show to the Blinky the Friendly Hen 40th Anniversary show by Jeffrey Vallance in 2019.

Self-Portrait, 2018. Watercolor and gouache on paper. Exhibited at the 2019 CSUN Annual Student Illustration Show.

ICONOCLAST, 2018. A book project where the initial prompt was to re-purpose a used, weathered book as an alternative sketchbook, and the project evolved into a narrative exploring the dynamics of religion and art, their relation to one another. Received 2nd Place at the 2018 first annual CSUN STEAM Fair. Mixed media on found book.

Patience, 2018. Watercolor, gouache, and ink on paper. Appeared as a cover illustration for Volume 4 Winter 2019 of The Oakland Arts Review.

Arpaci Poster, 2018. Watercolor, ink, and pencil on paper. Poster for a project branding a fictional watercolor company, Arpaci, made to emulate and appeal to plein air painting.

“Destruction Imminent I”
“Destruction Imminent I”
“Destruction Imminent II”
“Destruction Imminent II”
“Destruction Imminent III"
“Destruction Imminent III"
“Destruction Imminent IV"
“Destruction Imminent IV"
Destruction Imminent series, 2018. Oil, tempera, collage and ink on unprimed paper. Project inspired by the work of Ed Ruscha, exploring art deliberately made to be chemically unstable and predisposed to rapid decay.
"Untitled I," No. 1
"Untitled I," No. 1
"Pattern I," No. 2 In this age of overwhelming access to an ever-expanding amount of information, effective data compression becomes necessary (from the One Inch Painting Manifesto).
"Pattern I," No. 2 In this age of overwhelming access to an ever-expanding amount of information, effective data compression becomes necessary (from the One Inch Painting Manifesto).
"The Last of the First," No. 3 Data compressed is useless unless it can be read. Decompression becomes necessary (from the One Inch Painting Manifesto).
"The Last of the First," No. 3 Data compressed is useless unless it can be read. Decompression becomes necessary (from the One Inch Painting Manifesto).
"Definition I (vanadium)," No. 4 One Inch Painting explores and tests data compression within analog media in the face of digital media's rise to power (from the One Inch Painting Manifesto).
"Definition I (vanadium)," No. 4 One Inch Painting explores and tests data compression within analog media in the face of digital media's rise to power (from the One Inch Painting Manifesto).
"Promise I (vermilion)," No. 5 Like Bruce Lee's famous one-inch punch, One Inch Painting aims to deliver high impact within a minimal space (from the One Inch Painting Manifesto).
"Promise I (vermilion)," No. 5 Like Bruce Lee's famous one-inch punch, One Inch Painting aims to deliver high impact within a minimal space (from the One Inch Painting Manifesto).
"Untitled II," No. 6 Who's the external hard drive in your life?
"Untitled II," No. 6 Who's the external hard drive in your life?
"Flocculation I," No. 7
"Flocculation I," No. 7
"Flocculation II," No. 8
"Flocculation II," No. 8
"Flocculation II," No. 9
"Flocculation II," No. 9
"Red earth," No. 10
"Red earth," No. 10
"Untitled III (a grimmer note)," No. 11
"Untitled III (a grimmer note)," No. 11
"Abhaya," No. 12
"Abhaya," No. 12
"Knowledge," No. 13
"Knowledge," No. 13
"Rabbit," No. 14
"Rabbit," No. 14
"Portrait I," No. 15
"Portrait I," No. 15
"Landscape II," No. 19
"Landscape II," No. 19
"Blood," No. 22 Runs thicker than water but weighs less than silver.
"Blood," No. 22 Runs thicker than water but weighs less than silver.
"Ferric Ferrocyanide," No. 23
"Ferric Ferrocyanide," No. 23
"Lion," No. 24
"Lion," No. 24
"Amaterasu," No. 26
"Amaterasu," No. 26
OIP Project, 2018. Painting series exploring the compression and sorting of information. Watercolor and gouache on paper.

Illustration for 'The New Bad Girls', 2017. Gouache and tempera on paper.

Eidolism, 2017. Watercolor on paper.

Ours is a God of Fearsome Generosity, 2017. Watercolor and gouache on paper. Featured in the 2018 issue of The Northridge Review.

Standard Issue for Missions like These, 2017. Watercolor and gouache on paper.

The Laundry Room back East, 2017. Watercolor, gouache, and ink on paper.

Mandala - Reordered Disorder, An Homage, 2017. Watercolor, gouache, and ink on paper. Received Honorable Mention for Painting at Cuesta College in 2017.

“White like Death”
“White like Death”
“Leaving the Cave”
“Leaving the Cave”
“Flight into the Grove”
“Flight into the Grove”
“Reconciliation”
“Reconciliation”
Reconciliation series, 2017. Watercolor and gouache on paper.

The Death of Antinous, 2017. Ink and gouache on paper.

Desertscape, 2017. Watercolor on paper.

Self-Portrait, 2017. Watercolor and gouache on paper.

Good bogeymen can make monsters out of guardian angels, 2017. Intaglio and aquatint etching on paper. Honorable Mention for Printmaking at Cuesta College in 2016.

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