
Bellona, 2021. Ink, watercolor, and gouache on paper.

"neo nio 1"

"music boy"

"cat gamer"

"e-child"

"neo nio 2"

"The Bosch" (closed)

"The Bosch" (open)

"The Triumvirate" (closed)

"The Triumvirate" (open)

"The Pentacle" (closed)

"The Pentacle" (open)

"The Scroll" (closed)

"The Scroll" (open)

"The Devout" (closed)

"The Devout" (open)

"The Diamond Path or the Diamond Thunderbolt" (closed)

"The Diamond Path or the Diamond Thunderbolt" (open)

"Horsemen"


"Serpent"


"Demon"


"Modern Offerings"


"Stigmata"


"The Death of the Machine God"


"Delphi"


"Yggdrasill"


"Sheol, or in the land or Nergal"


KFC Poster, 2019. Ink, pencil, and gesso on digital print. When I was in grade school we had a field trip to a local Kentucky Fried Chicken restaurant. Recorded here is the shocking true story. Exhibited in the Shed Gallery at CSUN, companion show to the Blinky the Friendly Hen 40th Anniversary show by Jeffrey Vallance in 2019.

Self-Portrait, 2018. Watercolor and gouache on paper. Exhibited at the 2019 CSUN Annual Student Illustration Show.





































Patience, 2018. Watercolor, gouache, and ink on paper. Appeared as a cover illustration for Volume 4 Winter 2019 of The Oakland Arts Review.

Arpaci Poster, 2018. Watercolor, ink, and pencil on paper. Poster for a project branding a fictional watercolor company, Arpaci, made to emulate and appeal to plein air painting.

“Destruction Imminent I”

“Destruction Imminent II”

“Destruction Imminent III"

“Destruction Imminent IV"

"Untitled I," No. 1

"Pattern I," No. 2 In this age of overwhelming access to an ever-expanding amount of information, effective data compression becomes necessary (from the One Inch Painting Manifesto).

"The Last of the First," No. 3 Data compressed is useless unless it can be read. Decompression becomes necessary (from the One Inch Painting Manifesto).

"Definition I (vanadium)," No. 4 One Inch Painting explores and tests data compression within analog media in the face of digital media's rise to power (from the One Inch Painting Manifesto).

"Promise I (vermilion)," No. 5 Like Bruce Lee's famous one-inch punch, One Inch Painting aims to deliver high impact within a minimal space (from the One Inch Painting Manifesto).

"Untitled II," No. 6 Who's the external hard drive in your life?

"Flocculation I," No. 7

"Flocculation II," No. 8

"Flocculation II," No. 9

"Red earth," No. 10

"Untitled III (a grimmer note)," No. 11

"Abhaya," No. 12

"Knowledge," No. 13

"Rabbit," No. 14

"Portrait I," No. 15

"Landscape II," No. 19

"Blood," No. 22 Runs thicker than water but weighs less than silver.

"Ferric Ferrocyanide," No. 23

"Lion," No. 24

"Amaterasu," No. 26

Illustration for 'The New Bad Girls', 2017. Gouache and tempera on paper.

Eidolism, 2017. Watercolor on paper.

Ours is a God of Fearsome Generosity, 2017. Watercolor and gouache on paper. Featured in the 2018 issue of The Northridge Review.

Standard Issue for Missions like These, 2017. Watercolor and gouache on paper.

The Laundry Room back East, 2017. Watercolor, gouache, and ink on paper.

Mandala - Reordered Disorder, An Homage, 2017. Watercolor, gouache, and ink on paper. Received Honorable Mention for Painting at Cuesta College in 2017.

“White like Death”

“Leaving the Cave”

“Flight into the Grove”

“Reconciliation”

The Death of Antinous, 2017. Ink and gouache on paper.

Desertscape, 2017. Watercolor on paper.

Self-Portrait, 2017. Watercolor and gouache on paper.

Good bogeymen can make monsters out of guardian angels, 2017. Intaglio and aquatint etching on paper. Honorable Mention for Printmaking at Cuesta College in 2016.