Painting series exploring the compression and sorting of information.
Retrospective grid of the first twenty pieces from the One Inch Painting (OIP) project.
"Untitled I," No. 1
"Pattern I," No. 2 In this age of overwhelming access to an ever-expanding amount of information, effective data compression becomes necessary (from the One Inch Painting Manifesto).
"The Last of the First," No. 3 Data compressed is useless unless it can be read. Decompression becomes necessary (from the One Inch Painting Manifesto).
"Definition I (vanadium)," No. 4 One Inch Painting explores and tests data compression within analog media in the face of digital media's rise to power (from the One Inch Painting Manifesto).
"Promise I (vermilion)," No. 5 Like Bruce Lee's famous one-inch punch, One Inch Painting aims to deliver high impact within a minimal space (from the One Inch Painting Manifesto).
"Untitled II," No. 6 Who's the external hard drive in your life?
"Flocculation I," No. 7
"Flocculation II," No. 8
"Landscape I," No. 9
"Red earth," No. 10
"Untitled III (a grimmer note)," No. 11
"Abhaya," No. 12
"Knowledge," No. 13
"Rabbit," No. 14
"Portrait I," No. 15
"Landscape II," No. 19
"Blood," No. 22 Runs thicker than water but weighs less than silver.